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Delores O’Riordian has a voice like no other, perfectly suited for the upfront Irish anger of this 1994 album. Single digits ahead of the St Valentine’s Day accord and its imperfect afterlife, O’Riordian and the Cranberries lament–this *is* the dominant tone–the things that are wrong with families, fathers, lovers, and the hatred that has made ‘the Troubles’ so linkable an expression with Northern Ireland.
The front lady’s severe, alto and usually unaccompanied voice drives each song forward with self-propelled force. You either love it or hate it. Not too many simply liked this album. It was one of those musical offerings that invoked strong response from across the spectrum of listeners. Continue Reading »