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In the entire repertoire of concerto performance, there may be no more memorable solo entrance than that of the piano approximately 2’20” into Mozart’s Piano Concerto No. 1. It is an exceptional moment in musical history, the piano asserting its melodic personality over against the brooding of the lower strings. Mozart could be forgiven for having penned it and then promptly expiring.
Fortunately, he did not. (more…)